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Wednesday, 5 May 2010

Places and Pieces




Excitingly I have recently signed on a new commission initiated by Regional Arts Victoria in partnership with Craft Victoria called Places and Pieces.

Places and Pieces is a unique partnership between arts, education and emerging communities in Bendigo and Castlemaine. It aims to inspire artistic excellence in secondary school students through the making of jewellery and body adornment items using non-precious found materials.


For those of you who are curiously wondering how I got involved as I am not a jeweller - the brief also seeks new works to be created that that reflect their place in a geographic, cultural and personal sense. Which of course all my practice is about relationship to place.


My favourite bit is that new works are sought that are made from found materials, natural materials and reclaimed materials.


So to get myself into the mood for this project I have been doing a little bit of research, collecting images and links. Mostly thanks to the online commitment of Craft Victoria and the Melbourne based curator and writer Kevin Murray. Each of the artists I have drawn out elements that will start creating the scaffolding to build 5 weeks of workshops around for Year 11 students.


Taken directly from Kevin Murray's current curated show on in Perth Can jewellery function as an instrument of change? Includes the work of Melbourne jeweller Vicki Mason. This is her work depicted below:



"Her brooches are modelled on the wattle, rose and oregano plants, beautifully rendered in powder-coated silver and coiled ribbon. These plants are common features of suburban gardens in Australia, but Mason argues that they represent a common bounty, which she links to the elusive prospect of Australia becoming a republic".( Text taken from here by Kevin Murray)

Elements I will draw from her work include:
- form inspired by nature
- making contained within a structure - in this case a black edging
- texture
- bright colour use


Above is work by Julie Blyfield
"The natural materials chosen have the potential to be reduced to a jingoistic ‘green and gold’. However, in
Blyfield’s hands, the subtle and limited colour palette of olive green, black, orange and blue/greys with occasional highlights of gold, reveals a much more sophisticated appreciation of our national flora." (text by Bin Dixon Ward)

Elements I will draw from her work include:
- form inspired by nature
- the
monochromatic use of colour

From Little Fish Studios

Goodness I really like the combination of fabric, stitch (of course) and twigs/sticks - just lovely and very exciting

David Neale



I also like these words to describe his work: "Through the considered play of opposites such as flat vs deep, austere vs ostentatious, rough vs refined, previous vs poor, shiny vs
sfumato, gravel vs gold and some vs none."

Thoughts from Kate Rhodes essay - Forest or the Bush What Jewellers tell us about Nature
Patricia Anderson Book Contemporary Jewellery: The Australian Experience 1977–1987 for its historical overview of jewellery and she writes:

Fifty thousand years ago hunting man wore the teeth and claws of animals to transfer their ferocity and strength to himself. By the time agricultural and urban communities were established throughout the Near East and around the Mediterranean, there was the belief that the … natural world could be controlled … by votive gifts of jewellery to the gods and the adornment of temple statues.1

Still looking at Anderson's historical text, in Australia during the 1970s and '80s saw jewellers who had predominately trained in art schools, rather than workshops, once again look at the natural world as a close source of inspiration. They produced specifically Australian works in an abstract mode. These designers used handmade paper, grass, bleached tree roots, feathers, stone and palm fronds, as well as gold and silver and other metals, to reproduce the Australian landscape, and often the Australian bush more specifically, in its textures, colours and forms.


And just for me here are some other late night thinking ideas

- collecting discarded metal (no plastic on the front) badges and drilling holes and then threading embroidery thread through/grasses etc - inspired by a logo for a really great cause I spotted on the front of my husbands
soccer magazines that are taking over our home - never thought they would be any much use other than collecting dust!


- t-shirt inspired jewellery - bead making, foundation for sewing on beads etc
Links to
tutorials here
t-shirt bangles
t-shirt necklace
recycled jewellery tutorial links



Some Good Stuff




IvivaOlenick

a review/interview

new fabric store in Bendigo

world inspiration

envy

great quilt designs - simple and strong

Great sewing for girls

eco fashion and a helping out kit

Monday, 26 April 2010

Washed Up


A little gift for a nice niece's third birthday - instant success and a request from a certain soon to be four year old for her birthday too!
Pattern Inspiration here.
Sustainably harvested wooden cooking set found here

Wednesday, 21 April 2010

Last night at the studio




Last night continued on with my home made birthday gift challenge - goodness with a birthday nearly every week and it won't get any easier with an ever expanding family! But I do love making things - would do this any day - really can't stand shopping.

Here is my second scarf attempt and also a little handbag pouch for secrete note book writings or list making stationary - something ensures my hand bag is always heavy to lug around. Again these gifts are made out of fabric cut off that would have otherwise been thrown out or discovered in op-shops. (OK op-shopping I can manage)

Here is a another treasure sporting her Christmas gift.

Tuesday, 20 April 2010

New Baby - she is a gift - but so far away my heart cries

How can I ever be as clever as my sister to make a precious beauty such as she?

Madeleine Joyce Whitty
3.36 kgs
Born 4.05 am 20th April

And a little passage I have been musing on from my current favourite author:

"She is the gift that carries our songs into the ocean where all stories mingle. Too soon many things will claim her - the man she loves, the children she bears, the tasks and the duties that bind her to life - and so a mother loves a daughter as something more precious than any love, because though we many love her with an infinite tenderness we much teacher to swim."

The River Wife
by Heather Rose


Tuesday, 13 April 2010

Last night at the studio



Last night at my Tuesday night studio evening I finished off some packaging for a recent commission by the local government - possum costumes!

Then I did a bit of procrastination - from my last post you will see that I am starting a new project and just a bit reluctant to take that first big bite - come on MUMMA you can do it!


But I did turn my procrastination into something productive a little sewing project from a fantastic op shopped tea towel for me - covering my journal and my daily to do list book.

Other side projects I have on the go include sorting my business out and making business cards for my mum - check this fantastic sewing design idea for cards.

Here is my daughter's first sewing project I also mentioned in my last post - she is 3 and half - we did it next to the camp fire whilst camping last week - her brother did one - but his still is a work in progress - I made his a little more complicated. Wish I got some shots of them sewing - but really had to keep them focused and pour all of my attention onto them.

Monday, 12 April 2010

Gearing up for a new commission





This isn't my work - but from rubycrownkinglette, whom I often admire on flickr

I am collecting some images, some works that are propelling me into my next commission - The Enlightenment Project.

What I am liking here is the use of found material, whimsy and joy. I like the out door-i-ness and the collection of material to become.

Other works of mine that are ticking over include this little collection of oddments (which really what a museum is all about is it not - oddments?) Like these lovely little bits of rolled up paper.





When watching Where the Wild Things Are I nearly passed out to see in the little boy's bed room a city structure of some sort made up out of rolled up cardboard - oh to have a still of that scene.

This Friday on my visit to the museum again I need to take some additional shots of the outside collection of machines and sheds - full of inventions for men to make order of agriculture. All rusting and mostly weighing a tonne - but I like the idea of these bits and bobs complementing the shadow houses.

Actually it was a camping boredom distraction activity that I planned for the kids that has also fueled my need to make stuffed things. More about these creatures soon...

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